Brandon LABELLE

The history of European musicology is perennially revised around the central ontological debate about whether music is a representational or an abstract art. This discussion may be extended to all of the sound arts. Thus the minor poetic phenomenon of onomatopoeia is emblematic of what might be seen as the ontological aporia of sound art (and by extension of all representation): mimesis is simultaneously a loss and a gain, placing representation on uneven ground where the signified loses structural integrity and existential verifiability, while the signifier gains in complexity and ambiguity.
Through literary, performative, and sonic analysis, this book simultaneously serves as a tool for investigating the micro-structures of audiophonic representation; proposes a unified, though open-ended, field theory of the sound arts; offers expanded descriptive possibilities for audio productions; and revises the study of audio mimesis in relation to gardens and landscape.Allen S. Weiss is a theorist, editor, translator, curator and teaches in the Departments of Performance Studies and Cinema Studies at the Tisch School of the Arts of New York University.

Errant Bodies Press  http://www.errantbodies.org/audioissues.html 112 pages  ISBN: 978-0-9772594-4-1